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A scene from Habeas Corpus , Altrincham Garrick, 2007.
Exits and entrances from Hamilton Mattress .
places. I have directed farces whose staple ingredient is a preponderance of doors.
Michael Frayn's dazzling Noises Of stipulates almost a dozen doors, and there is
something inherently funny about characters running in and out with clockwork
precision. Likewise, the lack of doors, or a dei ning space, can have a decidedly
creepy ef ect. A i lm is hatching in my head, now, exploiting the signii cance of doors.
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