Graphics Reference
In-Depth Information
RH - Animation can do anything, but a lot is relied on - such as the quality of the animation, the
storytelling, the camera angles, the quality of the puppets, the lighting, etc. Comedy usually seems to be
the easiest genre to achieve, whereas tragedy can be somewhat more of a challenge.
JC - All genres should be seen in animation. It's a powerful medium and can as easily entertain shock or
upset as any other form of fi lm. A powerful and sensitive performance is what matters. It can evoke belly
laughs or torrents of tears.
FL - Any genre you want. Tragedy, the best of all. Stop motion is the most theatrical way of animation,
and of fi lm-making. It is marked by the mask, and mask was indeed the beginning of everything.
DS - If animated fi lms are regarded as simply another form of fi lm-making there's no reason why they
can't deal with deep emotional subjects. Culturally they've often been classifi ed in the west as being
mostly for kids, but why?
PRW/MG - Yes, animation can do tragedy - Screen Play, Achilles and Suzie Templeton ' s Dog are superb
examples of this. The Periwig Maker , directed by Steffen and Annette Schaeffl er, brought to life the plague
year in London, capturing the atmosphere and horror of the event. Another stop motion favourite is Aria by
Piotr Sapegin (based on Madame Butterfl y and using the music). When the puppet Cho Cho San discovers the
truth about Pinkerton she strips her kimono from her and then dismantles her armature - thus committing
sapuko. Heart-rending stuff! For us this was one of the most moving moments in animation ever.
The moving and atmospheric The Periwig Maker (© Ideal Standard Films, Annette and Steffen
Schaeffl er).
With my imagination my own history is constantly being re-edited to make a
better story; so much so that the more fanciful tales now seem to me to have
happened. A vivid imagination can be confusing.
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