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Figure 21. (a) Fernand Léger: “Le Mecanicien” (1920) (repr. from Lanchner 1998, p.
193), © 2007 ARS, New York/ADAGP, Paris. (b) Carl Grossberg: “Der Gelbe Kessel”
(1933) (repr. from Michalski 2003, p. 168), permission of Galerie Michael Hasenclever,
München. (c) Charles Sheeler, Ballet Mechanique (1931) (Troyen 1987, p. 125), permis-
sion of Memorial Art Gallery, University of Rochester.
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Figure 22. Prototypical Chemical Still lifes: a) www.philexport.ph/tops/tops2002/3q/, (b)
www.education.bham.ac.uk/programmes/pgrad/pgce/secondary/science/chem.htm,
c) www. energywipe.com/WhatOurCustomersSay.htm.
Figure 23. (a) Giorgio Morandi: “Still Life” (1941) (repr. from Abramowisz 2004, plate
10.6), © 2007 ARS, New York/SIAE, Rome. (b) William Bailey: “Strada Bianca” (1990)
(repr. from Briganiti 1991, p.120), © William Bailey, Courtesy Betty Cuningham Gallery,
New York. (c) Tony Cragg, “Laboratory Still Life No. 1, State 2” (1988) (repr. from
Brown 1996, p. 67), courtesy the artist and Lisson Gallery, London.
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