Graphics Programs Reference
In-Depth Information
BRAD MOORE, SCOTT KELBY
Step Two:
We shoot HDRs in aperture priority mode (A on Nikon and Sony cameras; Av on Canon
cameras), so basically we choose the f-stop and then the camera automatically varies the
shutter speed to create the bracket exposures. I recommend choosing an f-stop with a lot of
depth so everything's in focus throughout, like f/8 or f/11 (areas that are blurry, like back-
grounds shots at f/2.8 or f/4 look kind of funky and obvious in HDR images, so I try to
stick with f-stops with more depth).
