Digital Signal Processing Reference
In-Depth Information
1
h
H
(
ω,Α, Β
)
Γ
DN
(
ω
)
h
(
ω,Α, Β
)
,
G
DN
[
h
(
ω,Α, Β
)] =
(6.17)
and
1
|B
[
h
(
ω,Α, Β
)
,θ
N
]
|
2
,
G
NS
[
h
(
ω,Α, Β
)] =
(6.18)
where
θ
N
is the angle of the point noise source (see Chapter 2).
Ideally, we would like to have
G
DN
[
h
(
ω,Α, Β
)] =
G
N
,
(6.19)
where
G
N
is the directivity factor of the frequency-independent
N
th-order
DMA (see Chapter 2) and
G
WN
[
h
(
ω,Α, Β
)]
≥
1
.
(6.20)
6.3 Design Examples
In this section, we show how to design several directional patterns of different
orders with the minimum-norm filter and a uniform linear array of up to eight
microphones. We only study four examples. Evidently, many more patterns
can be designed with the proposed approach. In the previous chapters, we
considered a bandwidth of 4 kHz; here, we use a bandwidth of 8 kHz in
order to have a better insight into this new method. In all examples, the
inter-element spacing is
δ
= 1 cm.
6.3.1 FIRST-ORDER CARDIOID
From Chapter 3, we know that the parameters to design the first-order car-
dioid are summarized into the two vectors of length 2:
T
,
Α
=
1
−
1
(6.21)
T
.
Β
=
10
(6.22)
Figures 6.1, 6.2, and 6.3 display the patterns of the first-order cardioid with
2, 5, and 8 microphones, respectively, for several frequencies. The patterns for
the 2 and 5 microphones cases are similar except for 5 kHz, where the pattern
with 5 microphones is more directional than the one with 2 microphones.
With 8 microphones, we clearly see that for 4 and 5 kHz, we get the directional
patterns of the second-order cardioid, which is expected and interesting. In
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