Digital Signal Processing Reference
In-Depth Information
1
h H ( ω,Α, Β ) Γ DN ( ω ) h ( ω,Α, Β ) ,
G DN [ h ( ω,Α, Β )] =
(6.17)
and
1
|B [ h ( ω,Α, Β ) N ] | 2 ,
G
NS [ h ( ω,Α, Β )] =
(6.18)
where θ N is the angle of the point noise source (see Chapter 2).
Ideally, we would like to have
G
DN [ h ( ω,Α, Β )] = G
N ,
(6.19)
where G
N is the directivity factor of the frequency-independent N th-order
DMA (see Chapter 2) and
G
WN [ h ( ω,Α, Β )] 1 .
(6.20)
6.3 Design Examples
In this section, we show how to design several directional patterns of different
orders with the minimum-norm filter and a uniform linear array of up to eight
microphones. We only study four examples. Evidently, many more patterns
can be designed with the proposed approach. In the previous chapters, we
considered a bandwidth of 4 kHz; here, we use a bandwidth of 8 kHz in
order to have a better insight into this new method. In all examples, the
inter-element spacing is δ = 1 cm.
6.3.1 FIRST-ORDER CARDIOID
From Chapter 3, we know that the parameters to design the first-order car-
dioid are summarized into the two vectors of length 2:
T ,
Α =
1 1
(6.21)
T .
Β =
10
(6.22)
Figures 6.1, 6.2, and 6.3 display the patterns of the first-order cardioid with
2, 5, and 8 microphones, respectively, for several frequencies. The patterns for
the 2 and 5 microphones cases are similar except for 5 kHz, where the pattern
with 5 microphones is more directional than the one with 2 microphones.
With 8 microphones, we clearly see that for 4 and 5 kHz, we get the directional
patterns of the second-order cardioid, which is expected and interesting. In
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