Overview - 3D Postproduction: Stereoscopic Workflows and Techniques - page 30

• Editorial
Objective 1: Selecting, preparing and assembling imagery to rel ect the
creative intent of the show's authors (Editing).
Objective 2: Integrating outputs of other workl ows into a show master
(Conforming).
• Geometry
Objective: Adjusting imagery to resolve mismatch errors between L and R.
• Depth
Objective: Change the perceived location over time in Z-Space of a scene's
area of interest.
• Color
Objective: Minimizing color differences between L and R; adjusting color
(including white and black levels and exposure) and lighting of areas of interest;
addressing L/R mismatch issues related to l ares, rel ections and highlights.

• Visual Effects
Objective: Integrating computer-generated graphics, characters, objects and
environments into imagery; enabling use of otherwise unusable natively

MANAGING

VISUAL
EFFECTS

EDITORIAL

CORE 3D POST
WORKFLOWS

COLOR

DEPTH

GEOMETRY

Figure 1.14 The Six Core 3D Post Workl ows.