The COLOR Workflow - 3D Postproduction: Stereoscopic Workflows and Techniques - page 168

“If they prefer to edit with only one eye (in 2D) then I recommend
using the transmitted eye in the beamsplitter rig. That is because it
us less corrupted by the beamsplitter mirror color ramp. On the other
hand, in the transmitted eye there may be a difference of half a stop
or more between the transmitted and rel ected eye.”

—Vince Toto

6.5 Inputs & Outputs

3D color workl ows are similar to their 2D counterparts and share much of
the same terminology. The primary inputs to the color workl ow are:
• Color Scripts
• Look-up Tables
• Color Review Reports
• Workl ow Masters
The primary outputs from the color workl ow are:

• Color Decision Lists
• Color Workl ow Masters

OUTPUTS

INPUTS

• COLOR
WORKFLOW MASTERS
•COLOR
DECISION LISTS

• IMAGERY
• METADATA
• COLOR
SCRIPTS
• LOOK-UP
TABLES
• COLOR
REVIEW
REPORTS

PRIMARY
(Correction)

SECONDARY
(Grading)

Figure 6.3 Color Inputs and Outputs.