Graphics Reference
In-Depth Information
3.6.4 Terms
Other than an on-set dailies team, the editorial team is most likely to be
the i rst to view source imagery (or proxy versions of it) after production.
This means the editorial team is often the i rst to experience issues of depth,
geometry and color. It is critically important your team has a common
understanding of some key editorial terms.
3.6.4.1 Good 3D
It is critical that editorial teams stay current with show-specii c working
dei nitions of terms, especially the term “good 3D.” A 3D show consists of
an image story as well as a depth story. For this reason, editorial teams can
benei t from understanding terms related to depth because depth decisions
impact editorial decisions and vice versa.
PROCESS
FACTORS
INPUT/
OUTPUT
What does the team call the various cuts
of the show?
Do team members share working
definitions for "Good 3D"?
CALIBRATION
How does team refer to issues they
experience when viewing the show?
VIEWING
TERMS
What are the shorthand terms for high,
medium and low priority fixes?
ANALYSIS
GRADING/
CORRECTION
How does the team refer to 3D-related
issues in editorial?
QUALITY
CONTROL
What terms indicate a cut is ready for
the next workflow?
Figure 3.13
Key questions the editorial team can ask about terms for each process
area in the editorial workl ow.
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