Graphics Reference
In-Depth Information
PROCESS
FACTORS
Who is responsible for input/output to/from
Editorial?
INPUT/
OUTPUT
Who is responsible for calibrating color in
monitors used in Editorial?
CALIBRATION
Who reviews work in progress?
VIEWING
TEAMS
Who is responsible for identifying and
prioritizing fixes?
ANALYSIS
Who is responsible for making edit and
conform changes?
GRADING/
CORRECTION
QUALITY
CONTROL
Who is responsible for integrating current
cut into show master?
Figure 3.10
Key questions the editorial team can ask about teams for process areas
in the editorial workl ow.
3.6.2 Techniques
Recall that “technique” is dei ned as “a collection or system of tasks and
activities a team uses to create a show or implement a workl ow.” Teams
in both 2D and 3D editorial are responsible for establishing, implementing,
and rei ning techniques such as:
• Assembling alternate version of shots, sequences
• Adjusting playback speed of shots, sequences
• Adjusting framing of shots, sequences
• Creating transitions between shots, sequences
• Creating EDLs corresponding to the above work
• Reviewing work with the creative team
3D editing techniques are closely related to 2D editorial. 3D editorial, like
2D editorial, depends on excellent organization of assets, capable operators
plus diplomacy and stamina. In terms of timeline, preview window and
playback window, the physical work of editing is nearly identical to its 2D
counterpart: assemble assets into a project, review the assets and place in
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