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Smith, J. O. III. (1992). Physical modeling using
digital waveguides.
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KEY tErMs AND DEFINItIONs
Auditory Scene Analysis:
Determining what
is happening in the environment using only the
sense of hearing.
Continuous Parameterisation:
A system that
has no discrete control states but is driven by a
set of real numbers.
Deferred Form:
A property of something
that only becomes fully defined at the moment
of use. For example, stock market investments
have a deferred value because you don't know
what they will be worth in 20 years.
DSP:
Digital signal processing. In our case,
computer code designed to create or modify audio
signals.
Dynamics:
A branch of mathematics or physics
concerning the changes occurring within a system.
Dataflow:
A programming paradigm based on
flow. Usually with a visual (patching) front-end
in which boxes represent transformations/func-
tions and lines are wires that connect the boxes
together. Examples include Max/MSP, Pure Data,
CPS, Reaktor.
Excitation:
The means by which energy
becomes vibration in a sounding object. Often
passing from an outside object to the object that
makes the sound (although self-excitation by in-
ternal stress is possible). Examples are collision,
friction, field and proximity coupling, plucking,
turbulence, and induction.
Finite Difference (Also, First Difference):
A
DSP scheme where mathematical differentiation
is represented discretely.
Finite Element:
A part in a computational
model in which a continuum is broken down into
small, notionally atomic parts, each with simple
van den Doel, K., & Pai, D. K. (1998). The sounds
of physical shapes.
Presence (Cambridge, Mass.)
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Vicario, G. B. (2001). Prolegomena to the percep-
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Rocchesso, D., & Delle, S. (Eds.),
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of Verona.
Warren, R. M. (1992). Perception of acoustic se-
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Thinking in sound:
The cognitive psychology of human audition. New
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Wessel, D. L. (1973).
Physchoacoustics and music:
A report from Michigan State University. PAGE
Bulletin of the Computers Arts Soc., 30.
Whitmore, G. (2009). The runtime studio in your
console: The inevitable directionality of game
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Yee-King, M., & Roth, M. (2008).
Synthbot: An
unsupervised software synthesiser programmer.
International Computer Music Conference.
Zheng, C., & James, D. L. (2009).
Harmonic flu-
ids.
ACM Transaction on Graphics (SIGGRAPH
2009), 28(3).
Zheng, C. & James, D. L. (2010).
Rigid-Body
Fracture Sound with Precomputed Soundbanks.
ACM Transaction on Graphics (SIGGRAPH
2010), 29(3).
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