Compilation of References - Intelligent Music Information Systems: Tools and Methodologies - page 350

Scheirer, E. D. (1997). Using musical knowledge to
extract expressive performance information from audio
recordings. In Proceedings Readings in Computational
Auditory Scene Analysis .

Sethares, J. C., Sethares, W. A., & Morris, R. D. (2005).
Beat tracking of musical performances using low-level
audio features. IEEE Transactions On Speech and Audio
Processing, 13 (2), 275-285.

Scheirer, E. & Slaney, M. (1997). Construction and evalua-
tion of a robust multi-feature music/speech discriminator.
In Proceedings of the IEEE Int. Conf. on Audio, Speech
and Signal Processing (ICASSP) .

SETI@Home. See http://setiathome.ssl.berkeley.edu/

Shamma, D. A. (2005, December). Network arts: Defin-
ing emotional interaction in media arts and information
retrieval . Evanston, IL: Northwestern University.

Schoder, D., & Fischbach, K. (2002). Peer-to-peer - An-
wendungsbereiche und herausforderungen. Retrieved
May 27, 2007, from http://www.whu-koblenz.de/ebusi-
ness/p2p-buch/buch/P2P-Buch_04_Schoder-Fischbach_
P2P-Anwendungsbereiche-Herausforderungen.pdf

Shamma, D. A., Owlsey, S., Hammond, K. J., Bradshaw,
S., & Budzik, J. (2004). Network arts: Exposing cultural
reality. In Alternate track papers & posters of the 13th
International Conference on World Wide Web (pp. 41-
47). New York: ACM Press.

Schölkopf, B. & Smola, A. J. (2002). Learning with
kernels—Support vector machines, regularization,
optimization, and beyond . MIT Press.

Shamma, D. A., Owsley, S., Bradshaw, S., & Hammond,
K. J. (2004). Using web frequency within multi-media
exhibitions. In Proceedings of the 12th International
Conference on Multi-Media. New York: ACM Press. Schollmeier, R. (2002). Peer-to-peer networking. Ap-

plications for and impacts on future IP-based networks.
Retrieved May 27, 2007, from http://www.lkn.ei.tum.de/
lkn/mitarbeiter/hrs/ Komponenten/paper/Peer1f.pdf

Shifrin, J., Pardo, B., Meek, C. & Birmingham, W. (2002).
HMM-based musical query retrieval. In Proceedings of
the ACM/IEEE Joint Conference on Digital Libraries
(pp. 295-300). Schwarz, D., & Wright, M. (2000). Extensions and ap-

plications of the SDIF sound description interchange
format. In Proceedings of the International Computer
Music Conf (ICMC) .

Shirky, C. (2001). Listening to napster. In A. Oram (Ed.),
Harnessing the power of disruptive technologies (pp.
21-37). Sebastopol: O'Reilly.

Schyndel, R. G. van. (2005). A preliminary design for
a privacy-friendly free p2p media file distribution sys-
tem. International Workshop on Intelligent Information
Hiding and Multimedia Signal Processing (IIHMSP)
part of Knowledge-Based Intelligent Information and
Engineering Systems (KES) , 3 , 1018-1024.

Silberger, K. (1996). Putting composers in control. IBM
Research , 34 (4), 14-15.

Smith, J. D., Nelson, D. G. K., Grohskopf, L. A. &
Appleton, T. (1994). What child is this? What interval
was that? Familiar tunes and music perception in novice
listeners. Cognition , 52 , 23-54.

Seashore, C. E. (Ed.) (1936). Objective analysis of music
performance . University of Iowa Press.

Smith, T. F. & Waterman, M. S. (1981). Identification of
common molecular subsequences. Journal of Molecular
Biology , 147 , 195-197.

Selfridge-Field, E. (Ed.) (1997). Beyond MIDI: The
handbook of musical codes ., Cambridge: MIT Press.

SMSTools. Retrieved May 26, 2007, from http://www.
iua.upf.es/sms

Serra, X., & Smith, S. (1990). Spectral modeling syn-
thesis: A sound analysis/synthesis system based on a
deterministic plus stochastic decomposition. Computer
Music Journal , 14 (4).

Soulez, F., Rodet, X., & Schwarz, D. (2003). Improving
polyphonic and poly-instrumental music to score align-