Compilation of References - Intelligent Music Information Systems: Tools and Methodologies - page 335

Deliège, I. (1987). Grouping conditions in listening to
music: An approach to Lerdahl and Jackendoff's grouping
preference rules. Music Perception, 4 (4), 325-350.

International Conference on Music Information Retrieval
(pp. 204-209).

Dovey, M. J. (1995). Analysis of Rachmaninoff's piano
performances using inductive logic programming .
European Conference on Machine Learning, Springer-
Verlag.

Desain, P., & Honing, H. (1991). Quantization of musi-
cal time: A connectionist approach. In P. M. Todd & D.
G. Loy (Eds.), Music and connectionism (pp. 150-167).
Cambridge, MA: MIT Press.

Dovey, M. J. (2001). A technique for “regular expression”
style searching in polyphonic music. In Proceedings
of the International Conference on Music Information
Retrieval (pp. 179-185).

Deutsch, D. (1972). Octave generalization and tune rec-
ognition. Perception & Psychophysics, 11 , 411-412.

Deutsch, D. (Ed.) (1982). The psychology of music .
Academic Press. Dowling, W. J. & Fujitani, D. S. (1971). Contour, interval,

and pitch recognition in memory for melodies. Journal
of the Acoustical Society of America , 49 , 524-531.

Deutsch, D., & Feroe, J. (1981). The internal representa-
tion of pitch sequences in tonal music. Psychological
Review, 88 (6), 503-522. Dowling, W. J. (1978). Scale and contour: Two compo-

nents of a theory of memory for melodies. Psychological
Review , 85 (4), 341-354.

DeVriendt, J. C., Lerouge, P. L., & Xu, X. (2002). Mo-
bile network evolution: A revolution on the move. IEEE
Communications Magazine , p. 104-111. Dowling, W. J. (1986). Context effects on melody recog-

nition: Scale-step versus interval representations. Music
Perception , 3 (3), 281-296.

DeWitt, L. A., & Crowder, R. G. (1986). Recognition
of novel melodies after brief delays. Music Perception,
3 , 259-274. Dowling, W. J., & Harwood, D. L. (1986). Music cogni-

tion . London: Academic Press.

Dhamija, R., & Wallenberg, F. (2003). A framework
for evaluating digital rights management proposals.
In Proceedings International Mobile IPR Workshop:
Rights Management of Information Products on the
Mobile Internet.

Dowling, W. J., Kwak, S. & Andrews, M. W. (1995). The
time course recognition of novel melodies. Perception
and Psychophysics , 57 (2), 136-149.

Downie, J. S. & Nelson, M. (2000). Evaluation of a simple
and effective music information retrieval method. In
Proceedings of the 23rd ACM Conference on Research
and Development in Information Retrieval (SIGIR '00)
(pp. 73-80) Athens, Greece.

Dixon, S. (2001). An empirical comparison of tempo
trackers. In Proceedings of the 8th Brazilian Symposium
on Computer Music .

Dixon, S. (2001). Automatic extraction of tempo and beat
from expressive performances. Journal of New Music
Research, 30 (1), 39-58.

Downie, J. S. (2003). Music information retrieval. An-
nual Review of Information Science and Technology ,
37 , 295-340.

Dixon, S., & Cambouropoulos, E. (2000). Beat tracking
with musical knowledge. In Proceedings of the 14th
European Conference on Artificial Intelligence , pages
626-630.

Downie, J. S., Futrelle, J. & Tcheng, D. (2004). The inter-
national music information retrieval systems evaluation
laboratory: Governance, access and security. In Proceed-
ings of the International Conference on Music Information
Retrieval (pp. 9-14).

Doraisamy, S. & Rüger, S. (2004). A polyphonic music
retrieval system using N-grams. In Proceedings of the