Graphics Programs Reference
In-Depth Information
Figure 10-16
14. Work your way outward from the
mask's center, using the visual cues
from both backdrops to make your best
guess as to where the points should be.
(Right now, all we are concerned about
is getting close.)
Note
Don't forget about the power of making
point selection sets to help you quickly “sift”
through the points of a complex model. (See
Chapter 3, Figures 3-17 through 3-19.)
Figure 10-17: The third “row” out from the center — a “work-in-progress.”
