Travel Reference
In-Depth Information
Room 4:
This room shows off two big names from the latter part of the movement.
On the left are lyrical landscapes by
Ivan Rabuzin,
arguably the movement's second most
important artist, after Ivan Generali
ć
. Like a visual haiku, Rabuzin's dreamlike world of
hills, trees, and clouds is reminiscent of Marc Chagall. Rabuzin's works are especially pop-
ular among the museum's many Japanese visitors. On the right are
Emerik Feješ
's colorful
scenesoffamousmonumentsfromaroundEurope—Paris,Venice,Vienna,andMilan.Feješ
never traveled to any of these places—his paintings are based on romantic black-and-white
postcards of the era, which Feješ “colorized” in his unique style.
