Information Technology Reference
In-Depth Information
pedagogy thus extending its in
uence.We would like to thank Pierre H
é
ricourt, system engineer at
LaBRI, for developing the EEG headsets
'
drivers, allowing us to interface the headsets with all the
software parts, and thus to set up our experiments for real.
References
Bradley MM, Lang PJ (2007) The international affective digitized sounds (; IADS-2): affective
ratings of sounds and instruction manual. University of Florida, Gainesville, FL, Technical
Report B-3
Clay A, Domenger G, Couture N, De La Rivi
è
re J, Desainte-Catherine M, et al (2011) Spectacle
Clay A, Couture N, Decarsin E, Desainte-Catherine M, Vulliard PH, Larralde J (2012) Movement to
emotions to music: using whole body emotional expression as an interaction for electronic music
generation. In: Proceedings of NIME'12. University of Michigan, Ann Arbour. pp. 180
-
186
Duvinage M et al (2012) A P300-based quantitative comparison between the Emotiv Epoc headset
and a medical EEG device. In: Proceedings of the 9th IASTED international conference on
biomedical engineering, p 2
Ekman P (1992) An argument for basic emotions. Cogn Emot 6(3
200
Ganidagli S, Cengiz M, Yanik M, Becerik C, Unal B (2005) The effect of music on preoperative
sedation and the bispectral index. Anesth Analg 101(1):103
4):169
-
-
106
Lang PJ, Bradley MM, Cuthbert BN (1999) International affective picture system (IAPS):
technical manual and affective ratings. University of Florida, Gainesville, FL
Le Groux S, Verschure P (2010) Towards adaptive music generation by reinforcement learning of
musical
-
tension. In: Proceedings of the 6th Sound and Music Computing Conference,
137
Livingstone S, Muhlberger R, Brown A, Thompson W (2010) Changing musical emotion: a
computational rule system for modifying score and performance. Comput Music J 34(1):41
pp 134
-
64
Loewy J, Hallan C, Friedman E, Martinez C (2005) Sleep/sedation in children undergoing EEG
testing: a comparison of chloral hydrate and music therapy. J Perianesthesia Nurs 20(5):323
-
332
Peretz I, Gagnon L, Bouchard B (1998) Music and emotion: perceptual determinants, immediacy
and isolation after brain damage. Cognition 68(2):111
-
41
Renard Y, Lotte F, Gibert G, Congedo M, Maby E, Delannoy V, Bertrand O, L
-
cuyer A (2010)
Openvibe: an open-source software platform to design, test, and use brain-computer interfaces
in real and virtual environments. Presence Teleoperators Virtual Environ 19(1):35
é
53
-
Russel J (1980) A circumplex model of affect. J Personnal Soc Psychol 39(6):1161
1178
Sammler D, Grigutsch M, Fritz T, Koelsch S (2007) Music and emotion: electrophysiological
correlates of the processing of pleasant and unpleasant music. Psychophysiology 44:293
-
304
Schmidt LA, Trainor LJ (2001) Frontal brain electrical activity (EEG) distinguishes valence and
intensity of musical emotions. Cogn Emot 15(4):487
-
500
Trainor LJ, Schmidt LA (2003) Processing emotions induced by music. Oxford University Press,
Oxford
Vezard L, Chavent M, Legrand P, Faita-Ainseba F, Clauzel J, et al (2011) Caract
é
risation d
'é
tats
psychophysiologiques par classification de signaux EEG. Int
é
gration de ces r
é
sultats dans le
projet PSI
Wallis I, Ingalls T, Campana E (2008) Computer-generating emotional music: the design of an
affective music algorithm. In: International conference on digital audio effects, pp 7
-
12
Wright M (2005) Open sound control: an enabling technology for musical networking. Organ
Sound 10(03):193
-
200
Zhang XW, Fan Y, Manyande A, Tian YK, Yin P (2005) Effects of music on target? controlled
infusion of propofol requirements during combined spinal? epidural anaesthesia. Anaesthesia
60(10):990
-
994
-
