Information Technology Reference
In-Depth Information
Hevner K (1937) The affective value of pitch and tempo in music. Am J Psychol 49(4):621
-
630
Hevner K (1935) The affective character of the major and minor modes in music. Am J Psychol 47
(1):103
-
118
Hodges DA (2010) Psychophysiological responses to music. In: Juslin PN, Sloboda JA (eds)
Handbook of music and emotion: theory, research, applications. Oxford University Press, New
York, pp 279
-
311
Hunter PG, Schellenberg EG, Schimmack U (2008) Mixed affective responses to music with
conflicting cues. Cogn Emot 22(2):327
352
Husain G, Thompson WF, Schellenberg EG (2000) Effects of musical tempo and mode on mood,
arousal and spatial abilities. Music Percept 20(2):151
-
171
Ilie G, Thompson WF (2006) A comparison of acoustic cues in music and speech for three
dimensions of affect. Music Percept 23(4):319
-
330
Ishino K, Hagiwara M (2003) A feeling estimation system using a simple electroencephalograph.
Proc IEEE Int Conf Syst Man Cybern 5:4204
-
4209
Iwanaga M, Ikeda M, Iwaki T (1996) The effects of repetitive exposure to music on subjective and
physiological responses. J Music Ther 33(3):219
-
230
Izard CE, Libero D, Putnam P, Haynes O (2003) Stability of emotion experiences and their
relations to personality traits. J Pers Soc Psychol 64(5):847
-
860
-
Juslin PN, Liljestroem S, V
ll D, Lundqvist LO (2010) How does music evoke emotions?
Exploring the underlying mechanisms. In: Juslin PN, Sloboda JA (eds) Handbook of music and
emotion: theory, research, applications. Oxford University Press, Oxford, pp 605
stfj
ä
ä
642
Juslin PN (1997) Perceived emotional expression in synthesized performances of a short melody:
capturing the listener
-
'
s judgment policy. Musicae Scientiae 1(2):225
-
256
Juslin PN, Sloboda JA (eds)
(2010) Handbook of music and emotion:
theory,
research,
applications. Oxford University Press, Oxford
Juslin PN, Liljestroem S, V
ä
stf
ä
ll D, Baradas G, Silva A (2008) An experience sampling study of
emotional reactions to music: listener, music and situation. Emotion 8(5):668
-
683
Juslin PN, V
ä
stfj
ä
ll D (2008) Emotional responses to music: the need to consider underlying
mechanisms. Behav Brain Sci 31(5):559
-
575
Kellaris JJ, Rice RC (1993) The in
uence of tempo, loudness and gender of listener on responses
to music. Psychol Mark 10(1):15
-
19
Khalfa F, Schon D, Anton J, Liegois-Chauvel C (2005) Brain regions involved in the recognition
of happiness and sadness in music. Neuroreport 16(18):1981
-
1984
Khalfa S, Roy M, Rainwille P, Dalla Bella S, Peretz I (2008) Role of tempo entrainment in
psychophysiological differentiation of happy and sad music. Int J Psychophysiol 68(1):17
26
Kim J, Andre E (2008) Emotion recognition based on physiological changes in music listening.
IEEE Trans Pattern Anal Mach Intell 30(12):2067
-
2083
Kivy P (1990) Music alone: Reflexions on a purely musical experience. Cornel University Press,
Ithaca
Ko KE, Yang HC, Sim KB (2009) Emotion recognition using EEG signals with relative power
values and Bayesian network. Int J Control Autom Syst 7(5):865
-
870
Koelsch S, Fritz T, Cramon DY, Mueller K, Friederici A (2006) Investigating emotion with music:
an fMRI study. Hum Brain Mapp 27(3):239
-
250
Koelsch S (2005) Investigating emotion with music: Neuroscienti
c approaches. Ann N Y Acad
Sci 1060:412
-
418
Koelstra S, Muehl C, Soleymani M, Lee JS, Yazdani A, Ebrahimi T, Pun T, Nijholt A, Patras I
(2011) DEAP: a database for emotion analysis using physiological signals. IEEE Trans Affect
Comput 3(1):18
-
31
Konenci VJ (2008) Does music induce emotion? A theoretical and methodological analysis.
Psychol Aesthetics Creativity Arts 2(2):115
-
129
Krumnhansl C (1997) An exploratory study of musical emotions and psychophysiology. Can J
Exp Physiol 51(4):336
-
352
-
