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temptible under every point of rational regard…The interior of the church is like a large
assembly room, and would have been undeserving of a moment's attention, but that it
contains some most precious pictures.' But don't take his word for it: Palladio's blinding
white Istrian facades may seem stoic from afar, but up close they become relatable, with
billowing ceilings and an easy grace that anticipated baroque and high modernism.
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