Travel Reference
In-Depth Information
porary of Titian's but an early death in 1510 left an adoring public with just six acclaimed
canvases. Luckily for Castelfranco, one of his surviving works, an altarpiece known
Like Titian, with whom he worked on the frescoes of the Fondaco dei Tedeschi in
Venice, Giorgione is credited with revolutionising Renaissance painting, freeing it from its
linear constraints and using a refined
chiaroscuro
technique called
sfumato
('smokey') to
blur hard lines and enhance the emotional quality. The
Castelfranco Madonna
is a perfect
example: the light that suffuses the painting appears to have no clear source; is the sun
rising, or setting, or is the scene illuminated from another unseen source as the figures of
the St Francis and the armoured saint suggest? What's more, all three figures seem with-
drawn and mysteriously preoccupied with events or emotions entirely disconnected from
their physical setting. It is an intriguing composition, and profoundly moving.