References - Cross-Cultural Human-Computer Interaction and User Experience Design - page 175

COHN, Neil. ¡ Eye graefIk Semiosis! Thesis. The University of Chicago, 2005. Available from:
http://www.emaki.net/essays/visualsigns.pdf .
COOPER, Alan, Robert REIMANN and David CRONIN. About Face 3: The essentials of
interaction design . Indianapolis: Wiley Publishing, 2007, xxxv, 610 pp. ISBN 0470084111.
DE HAAN, Geert. ETAG, a formal model of competence knowledge for user interface design .
2000. Dissertation. Available from: http://dspace.ubvu.vu.nl .
DERRIDA, Jacques. Texty k dekonstrukci: pr ace z let 1967-72 . Bratislava: Archa, 1993, 336
pp. ISBN 8071150460.
DE SOUZA, Clarisse Sieckenius, et al. The semiotic inspection method. In: Proceedings of
VII Brazilian symposium on Human factors in computing systems . New York: ACM, 2006,
pp. 148-57. ISBN:1595934324. DOI: http://dx.doi.org/10.1145/1298023.
1298044 .
DE SOUZA, Clarisse Sieckenius. The semiotic engineering of human-computer interaction .
Cambridge, MA: MIT, 2005. ISBN 0262042207.
DILGER, Bradley. The ideology of ease. In: Journal of Electronic Publis hing.
6 (September 2000). [cit. 2009-04-03]. ISSN 1080-2711. Available from:
http://quod.lib.umich.edu/cgi/t/text/text-idx?c=jep;view=
text;rgn=main;idno=3336451.0006.104 .
DONG, Yin and LEE, Kun-Pyo. A cross-cultural comparative study of users' perceptions
of a webpage: With a focus on the cognitive styles of Chinese, Koreans and Americans.
International Journal of Design (2008) vol. 2 (2) pp. 19-30. Available from: http:
//www.ijdesign.org/ojs/index.php/IJDesign/article/view/267/
163 .
DRYER, Matthew S. Order of subject, object and verb. In: HASPELMATH, Martin, DRYER,
Matthew S., GIL, David, COMRIE, Bernard, eds. The world atlas of language structures
online . 2008. [cit. 2009-10-17.] Munich: Max Planck Digital Library, chapter 81. Available
from: http://wals.info/feature/81 .
ECO, Umberto. Theory of semiotics . Bloomington, IN: Indiana University Press, 1979, 354
pp. ISBN 9780253202178.
EHSES, Hanno. Semiotic foundation of typography . Halifax, Design Papers: Design Division,
Nova Scotia College of Art and Design, 1976.
EISENSTEIN, Sergei. Film Form: Essays in Film Theory. Ed. and trans. Jay Leyda. Harcourt,
Brace, 1969, 279 pp. ISBN [tbd].
EISENSTEIN, Sergei. The Film Sense. Ed. and trans. Jay Leyda. New York: Harvest, 1947,
1975, 288 pp. ISBN 0156309351.
ENGELHARDT, Jorg. The language of graphics: A framework for the analysis of syntax and
meaning in maps, charts and diagrams . Amsterdam: Yuri Engelhardt, 2002, 197 pp. ISBN
9789057760891.
ENGELHARDT, Yuri. Syntactic structures in graphics. Computational Visualistics
and Picture Morphology. In: SACHS-HOMBACH, Klaus, SCHIRRA, J org R.
J., SCHWAN, Stephan, WULFF, Hans Jurgen, eds. IMAGE—Zeitschrift f or in-
terdisziplin are Bildforschung , (5). 2007, 23-35. Verlag Herbert von Halem Ver-
lagsgesellschaft, K oln. Available from: http://www.gib.uni-tuebingen.
de/own/journal/pdf/buch_image5b.pdf , ISSN 1614-0885, Available from:
http://www.image-online.info/ .
ERICKSON, Thomas. Lingua Francas for design: Sacred places and pattern languages. In:
Proceedings of the 3rd Conference on Designing Interactive Systems: Processes, Practices,
Methods, and Techniques . New York: ACM, 2000, pp. 357-68. DOI: http://dx.doi.
org/10.1145/347642.347794 .
EVERS, Vanessa. Cross-cultural understanding of metaphors in interface design. In:

ESS, C. and SUDWEEKS, F., eds. Proceedings CATAC. 1998, 98 pp. Available