Information Technology Reference
In-Depth Information
68
Thomas Pynchon,
The Crying of Lot
49
(New York,
1966
).
69
Thomas Pynchon,
Gravity's Rainbow
(New York,
1973
).
70
Fredric Jameson,
The Geopolitical Aesthetic: Cinema and Space in the World
System
(London,
1992
), pp.
16
-
17
.
71
John Johnston,
Information Multiplicity: American Fiction in the Age of
Media Saturation
(Baltimore and London,
1998
), p.
62
.
72
Ibid., p.
66
.
73
Ibid., p.
63
.
74
William Gibson,
Neuromancer
(London,
1984
).
75
Scott Bukatman,
Terminal Identity: The Virtual Subject in Post-modern
Science Fiction
(London and Durham,
1993
), p.
146
.
76
Michael Herr,
Dispatches
(London,
1978
).
77
Gibson,
Neuromancer
, p.
67
.
78
William Gibson,
Count Zero
(London,
1986
).
79
William Gibson,
Mona Lisa Overdrive
(London,
1989
).
80
William Gibson and Bruce Sterling,
The Difference Engine
(London,
1991
).
81
For an excellent account of Cyberpunk as a genre, see Dani Cavallero,
Cyberpunk and Cyberculture
(London,
2000
).
82
Hakim Bey,
T.A.Z. The Temporary Autonomous Zone, Ontological Anarchy,
Poetic Terrorism
(New York,
1991
).
83
See Sadie Plant, 'On the Matrix: Cyberfeminism Simulations' in Rob
Shields, ed.,
Cultures of the Internet: Virtual Spaces, Real Histories, Living
Bodies
(London,
1996
), pp.
170
-
83
and
Zeros + Ones: Digital Women + the
New Technoculture
(London,
1998
).
84
See Rosi Braidotti,
Nomadic Subjects: Embodiment and Sexual Difference in
Contemporary Feminist Theory
(New York,
), as well as Rosi Braidotti
and Nina Lykke,
Between Monsters, Goddesses and Cyborgs: Feminist
Confrontations with Science, Medicine and Cyberspace
(London,
1994
1996
).
85
Allucquère Rosanne Stone,
The War of Desire and Technology at the Close
of the Mechanical Age
(Cambridge,
ma
,
1995
).
86
Critical Art Ensemble,
The Electronic Disturbance
(New York,
1994
).
87
Critical Art Ensemble,
Electronic Civil Disobedience
(New York,
1996
).
88
Manuel Castells,
The Information Age: Economy, Society and Culture,
Volume II: The Power of Identity
(Oxford,
1997
), p.
72
.
89
Walter Benjamin,
Illuminations
, pp.
219
-
53
.
90
Ibid., p.
264
.
91
Ibid., p.
263
.
7. digital culture in the twenty-first century
1
See Charlie Gere,
Art, Time and Technology
(Oxford and New York, 2006),
for a discussion of the cultural effects of real-time technologies.
2
F. H a l l i d a y,
Two Hours that Shook the World. September
11
,
2001
: Causes and
Consequences
(London, 2002).
