Information Technology Reference
In-Depth Information
13
Stewart Home,
The Assault on Culture: Utopian Currents from Lettrisme to
Class War
(Stirling,
1991
) pp.
12
-
16
.
14
Harry Mathews and Alastair Brotchie,
OuLiPo Compendium
(London,
1998
), pp.
127
-
9
.
15
Raymond Queneau,
Cent mille milliards de poèmes
(Paris,
). Stanley
Chapman's translation is included in Mathews and Brotchie,
OuLiPo
Compendium
, pp.
1961
15
-
33
.
16
Italo Calvino,
The Castle of Crossed Destinies
(London,
1977
).
17
Georges Perec,
A Void
(London,
1994
).
18
David Bellos,
Georges Perec
(London,
1999
), pp.
250
-
67
.
19
Jack Burnham,
Beyond Modern Sculpture: The Effects of Science and
Technology on the Sculpture of this Century
(London,
1968
), p.
343
.
20
Anne Massey,
The Independent Group: Modernism and Mass Culture in
Britain
1945
-
59
(Manchester,
1995
), p.
91
.
21
Edward A. Shanken, 'From Cybernetics to Telematics: The Art, Pedagogy,
and Theory of Roy Ascott', in Linda Dalrymple Henderson and Bruce
Clarke, eds.,
From Energy to Information
(Stanford,
2000
).
22
Abraham Moles,
Information Theory and Aesthetic Perception
, translated
by Joel E. Cohen (Urbana,
il
and London,
1968
).
23
Max Bense,
Aesthetica IV: Programmierung des Schönen. Allgemeine
Texttheorie und Textästhetik
(Baden-Baden/Krefeld,
1960
).
24
Marshall McLuhan,
The Gutenberg Galaxy: The Making of Typographic
Man
(Toronto,
1962
).
25
Marshall McLuhan,
Understanding Media: The Extensions of Man
(New
Yo r k ,
1964
).
26
Marshall McLuhan,
The Medium is the Message
(New York,
1967
).
27
Pierre Teilhard de Chardin,
The Future of Man
(New York,
1969
).
28
Herbert Marcuse,
One-Dimensional Man
(London and New York,
1991
),
pp.
153
-
5
.
29
Burnham,
Beyond Sculpture
, pp.
346
-
9
.
30
The idea of a close relationship between Cybernetics and Conceptual Art
has been suggested by Edward A. Shanken, in his essay 'Art in the
Information Age: Technology and Conceptual Art', in Michael Corris, ed.,
Invisible College: Reconsidering Conceptual Art
(Cambridge, forthcoming),
though in a telephone conversation, Art & Language member and art
historian Charles Harrison suggested that Shanken had overstated the
relationship. I am nevertheless greatly indebted to Shanken's work in
this area.
31
Edward A. Shanken, 'The House that Jack Built: Jack Burnham's Concept
of “Software” as Art', in Roy Ascott, ed.,
Reframing Consciousness: Art and
Consciousness in the Post-Biological Era
(Exeter,
1999
).
