Image Processing Reference
In-Depth Information
shooting on a white background so the popcorn, which is light in value,
stood out enough due to the shadows from my key light. Once the
number 2 was set up, I shot ten frames and decided on the best and most
interesting way to introduce the corn from the blank frame left after
the number 3 popped off. Popcorn pops and explodes so I decided to
randomly pop the corn in a three-object replacement series. This series
was a small corn seed for one frame, two or three large popped kernels
grouped together for one frame, and then the final replacement was one
normal kernel of popped corn.
ExErcisE Fig 6.c
A series of
popcorn replacements.
The popcorn would disappear after it popped onto the screen when viewed
playing forward. Eventually, the corn pops only where the number 2 would be
created, and the corn kernels remain on the table forming the final number 2
for ten frames.
ExErcisE Fig 6.D
The key
positions for the number 2 corn
kernel sequence.
Without moving or bumping the camera and light, I proceeded to my last
number. The final number in the countdown was 3, formed by my childhood
marble collection. The next step is to figure out how to move the marbles in
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