Painting the Forest Spirit - ZBrush Creature Design: Creating Dynamic Concept Imagery for Film and Games - page 612

7. Sample the blue rim light and paint along the edge of the leg hair. This gives the impression the light
hits the hair as well, creating a cool fringe of light. This helps marry the hair to the image and combat the
impression of strokes painted on top of the image that do not incorporate the lighting ( Figure 9-90 ) .
8. Using the same Fuzz 1 brush in conjunction with Hair 06, paint in forearm hair and underarm hair. Just
suggest the hairs here—try to avoid making too many detailed strands, as these would be distracting and
unpleasant. By breaking up the edges of the figure with hair fringes, you can suggest the hairiness without
being too specific ( Figure 9-91 ) .