Sculpting the Forest Spirit - ZBrush Creature Design: Creating Dynamic Concept Imagery for Film and Games - page 485

7. The eyelids are conformed to the spheres using the Move brush. I droop the eyes to give an older, softer
look to the face ( Figure 8-51 ).
8. We will now add some more detail to the face. Add a subdivision level with the Ctrl + D hot key.
9. We will now add the fold of fatty tissue next to the nose, known as the nasolabial fold ( Figure 8-52 ).
Isolate the area with a mask as seen in Figure 8-53 . This fold of skin is particular to the physiology of a hu-
man face and the manner in which the mouth and nose interact during speech. Adding it to this creature's
head further ascribes humanoid qualities to his face.
Figure 8-50: Use the Inflate brush to add a sense of mass and fleshiness to the upper lip and nose.
Figure 8-51: Drooping the eyelids over the sphere of the eye