Sculpting the Forest Spirit - ZBrush Creature Design: Creating Dynamic Concept Imagery for Film and Games - page 481

Figure 8-45: The eye area isolated with a mask in preparation for rotating the geometry. A transpose line is
then drawn from the center of the eye out and used to rotate the eye shape.
Refining the Face
Now that we have the general form of the face roughed in, we may start to focus in on more facial details.
Divide the mesh once, so we can have more subdivision levels to carry the finer forms of the figure.
1. Divide the mesh by pressing the Ctrl + D hot key or click Tool ⇒ Geometry ⇒ Divide.
2. Open the Spotlight with your photo reference and enlarge the ram photo ( Figure 8-46 ). If the Spotlight
is already loaded, it can be enabled by pressing Shift + Z.
3. From this image, we will be looking at the character of the mouth and nose ( Figure 8-47 ) . To make
changes to the mouth, we will need to move the lips independently of each other. This will require the use
of a specialized brush. From the Brush menu, select the Move Topological brush.
Figure 8-46: From the photo reference Spotlight, enlarge the ram photo