Sculpting the Forest Spirit - ZBrush Creature Design: Creating Dynamic Concept Imagery for Film and Games - page 469

Figure 8-31: Features of the nose and mouth on the photo reference we want to incorporate. Notice how
the nose and lower jaw integrate into the form of the lips. Also notice how close the nose is to the upper
lip, essentially meeting it.
3. We are taking care here to create large blunt shapes in the face. Figure 8-33 shows the snout being
slightly broadened and flattened with the Move brush. I had noticed it was looking rather sharp from the
top view, creating a harsher appearance to the face. We will follow this same design methodology of blunt-
ing forms though the whole body, as these blunt forms are less aggressive than angular or sharp shapes.