Sculpting the Forest Spirit - ZBrush Creature Design: Creating Dynamic Concept Imagery for Film and Games - page 465

6. Figure 8-26 shows the model at this stage with the gross-form changes introduced. We will continue
to refine the forms and their relationships in the next sections. With the Move brush, some more subtle
changes are introduced, including more weight to the belly and very slight overhangs where the love
handles will be ( Figure 8-27 ) .
7. Zoom into the neck. With the Move brush, shift the area of the collarbones down and lower the back or
trapezius muscles ( Figure 8-28 ) . This helps create a longer and more graceful neck. This will help attain a
more appealing character when the large horns are added later. A long neck is also helpful in keeping with
the look and character of a goat, helping to blend the human and animal anatomies.
Figure 8-26: The basic proportions of the torso blocked in with the Move and Transpose tools