Graphics Programs Reference
In-Depth Information
That concludes this first look at painting over our sculptures in Photoshop. This chapter has introduced
several very important points, from composition to the mechanics of working in Photoshop with layers and
blending modes, as well as how to use texture overlays and level adjustments to quickly create interesting
light and color effects on the skin. Before we move on, I would like to share some tips from a good friend
and fantastic artist, Tristan Schane.
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