The Interdimensional Traveler: A Full Body Character Design - ZBrush Creature Design: Creating Dynamic Concept Imagery for Film and Games - page 145

7. Using the Clay Tubes brush, I stroke along the head crest and bone structure of the face to unify the
shapes and give the feel of skin stretching across the forms ( Figure 3-49 ) .
8. At this stage we have a figure with an extremely long, attenuated form. Up to now, we have yet to bring
that same elongation into the hands and fingers. We will use the Transpose tools to lengthen the hands and
give them a more graceful and slender appearance ( Figure 3-50 ).
9. Use the Clay Tubes brush to build up the bony structure of the hands. Pick out shadow areas between
the metacarpals. Metacarpals are the technical anatomical names for the bones of the hand or palm. The
finger bones are called phalanges. This helps create a sense of emaciated skin over gnarled bone ( Figure
3-51 ) .
Figure 3-46: The Clay Tubes brush with the Alpha off
Figure 3-47: Filling in the eye sockets