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5.1 Maurice Cullen, Près des Éboulements , 1928. Pastel sur papier, 40,3 x
50,8 cm. Musée national des beaux-arts du Québec, 1940.78. Photo: Jean-Guy
Kérouac / Near the Éboulements , 1928. Pastel on paper, 40.3 x 50.8 cm. Musée
national des beaux-arts du Québec, 1940.78. Photo: Jean-Guy Kérouac.
three-dimensional space he constructs so solidly, distinguish him from
his French ancestors, as Sylvia Antoniou contends: 'S'écartant des prin-
cipes de l'impressionnisme, Cullen emploie une palette claire mais sa
touche n'est pas divisioniste … Son coup de pinceau est plus large aussi
les formes ne s'évanouissent pas dans la lumière et la couleur.' (62;
Moving away from the principles of Impressionism, Cullen uses a light
palette, but his brushwork is not divisionist … His strokes are broader
and thus his shapes don't vanish into light and colour.) And while he
 
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